Not everyone has fully embraced the creative vision behind Split Fiction, the latest cooperative adventure from the acclaimed creator of It Takes Two, Josef Fares. At the core of the game's narrative is a pair of female protagonists whose story has sparked both admiration and criticism. Some vocal critics have accused the game of promoting "feminist propaganda," igniting heated discussions across online platforms.

In his characteristic unfiltered and candid style, Josef Fares has directly addressed these claims with a sharp, humorous rebuttal that underscores his focus on storytelling rather than controversy.

The central theme of Split Fiction revolves around two female characters embarking on a deeply personal and emotional journey. While many players have lauded the game for its innovative gameplay and heartfelt narrative, others have taken issue with the choice of protagonists, labeling it as an attempt to push a feminist agenda.

Critics have argued that featuring two women in leading roles was unnecessary or overly political. However, this backlash has been met with strong resistance from the game's supporters, who contend that representation in media should not be a point of contention.

Known for his candid and often humorous responses, Josef Fares didn't hesitate to address the controversy. In his own words:

Let me tell you something: in Brother, there were two guys [as protagonists], in A Way Out—two guys, in It Takes Two—one man, one woman, and now two women, and suddenly 'everyone’s upset.' [...] I don’t care what you’ve got between your legs—good characters are what matter.

Fares’ response highlights his commitment to crafting compelling stories rather than catering to ideological debates. By emphasizing the importance of well-written characters over gender dynamics, he challenges critics to focus on the substance of the narrative rather than its surface-level details.

The backlash against Split Fiction reflects ongoing societal debates about diversity and representation in media. For some, the inclusion of two female protagonists represents progress and a step toward more inclusive storytelling. For others, it serves as a lightning rod for broader cultural tensions.

Games like Split Fiction often find themselves at the center of these discussions, as they push boundaries and explore new perspectives. While criticism is inevitable, the overwhelmingly positive reception from players and critics alike suggests that the game’s narrative resonates with a wide audience.